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An award–winning writer delivers a major reckoning with religion, place, and sexuality in the aftermath of 9/11
Hailed in The Washington Post as “one of the most eloquent and probing public intellectuals in America,” Richard Rodriguez now considers religious violence worldwide, growing public atheism in the West, and his own mortality.
Rodriguez’s stylish new memoir—the first book in a decade from the Pulitzer Prize finalist—moves from Jerusalem to Silicon Valley, from Moses to Liberace, from Lance Armstrong to Mother Teresa. Rodriguez is a homosexual who writes with love of the religions of the desert that exclude him. He is a passionate, unorthodox Christian who is always mindful of his relationship to Judaism and Islam because of a shared belief in the God who revealed himself within an ecology of emptiness. And at the center of this book is a consideration of women—their importance to Rodriguez’s spiritual formation and their centrality to the future of the desert religions.
Only a mind as elastic and refined as Rodriguez’s could bind these threads together into this wonderfully complex tapestry.
- Sales Rank: #611871 in eBooks
- Published on: 2013-10-03
- Released on: 2013-10-03
- Format: Kindle eBook
From Booklist
*Starred Review* Paradox has always been at the heart of Rodriguez’s brilliant personal essays, whether he was pondering, in Hunger of Memory (1982), the conflict between public and private selves; or defining, in Days of Obligation (1992), the split in his multicultural soul between his American faith in the future and his Mexican sense of the tragic past; or dissecting, in Brown (2002), the incendiary topic of race in America, “in hopes of undermining the notion of race of America.” In Brown, Rodriguez described himself as a “Queer Catholic Indian Spaniard in a temperate Chinese city in a fading blond state in a post-Protestant nation.” Now he digs still deeper into all those contradictions, examining his continuing belief in God and in the Catholic Church in the context of his life as a gay man in the early years of the twenty-first century, years, he says, that have been defined by religious extremism, rising public atheism, and what he calls “digital distraction.” And, yet, in the wake of September 11, Rodriguez found himself searching for commonality rather than difference between the “religions of the desert” and traveling to Jerusalem, “the corrupt model of the eventual City of God,” to find in the “uninhabitability of the desert” the shared heritage that leads Jews, Christians, and Muslims to seek another place, a green paradise. Rodriguez continues to find meaning in both the desert and the idea of paradise, and while his wide-ranging, erudite, passionate, and thought-provoking essays range over a wealth of seemingly disparate topics (gay marriage, Las Vegas, women, California, newspapers, technology), they all reflect his remarkable ability to penetrate the contradictions of our lives, reveling in them as much as understanding them. “We gather,” he says of his congregation, “in belief of one big thing: that we matter, somehow.” --Bill Ott
Review
Praise for Darling
“[Richard Rodriguez] is, as always, a biographer of ideas, of the conflicted histories carried in our flesh....What he does, patiently, artfully, is make an honest confession, describing the contours of his faith without apology.”—Image
“Over thirty years now, [Richard Rodriguez] has maintained a fierce, rigorous, ironic, and sincere cross-examination of both contemporary America and himself....[His] refusal to settle for easy answers or fixed assumptions is exactly what makes Rodriguez so essential.”—Pico Iyer, New York Review of Books
“Richard Rodriguez may be the most empathic essayist in America….His sentences are reliable joys: liquid and casual, they slip in and out of philosophy and anecdote noiselessly, like people padding through an empty chapel, expecting to hear nothing more than the sound of their own passage.”—Sasha Frere-Jones, The New Yorker
“[Rodriguez’s] charming, associative prose is reminiscent of James Baldwin…Darling is a revelation.”—Financial Times
“With compassion and profundity of vision, Rodriguez offers a compelling view of modern spirituality that is as multifaceted as it is provocative.”—Kirkus (starred review)
“Engaging and readable, this highly personal and candid discovery…will delight Rodriguez’s fans.”—Library Journal (starred review)
Praise for Brown: The Last Discovery of America
“It may be a while yet before America is as comfortable with the ambiguities of its complexion as Rodriguez is. In the meantime, he injects some desperately needed complexity into America’s thorniest debate.”—Mother Jones
“The recurrent strands of [Rodriguez’s] though—family, religion, education, race, sex, California, America, Mexico—gain new resonance each time and stand, in the end, for the complexity of a whole greater than the sum of its parts.”—The New York Times Book Review
Praise for Days of Obligation: An Argument with My Mexican Father
“Days of Obligation looks into America—north and south of the Rio Grande—as penetratingly and eloquently as Camus did when he compared the mental landscapes of France and Algiers.”—David Lohrey, The Los Angeles Times Book Review
“It is like nothing I have ever read before, and the sheer dazzle of its suggestions says more about America than anything I have read since Lawrence.”—Pico Iyer, author of Falling Off the Map
Praise for Darling
“A rich tapestry, a Persian carpet of a book….The deep pleasures of [Darling] defy the usual capsule account.”—San Francisco Chronicle
“Over thirty years now, [Richard Rodriguez] has maintained a fierce, rigorous, ironic, and sincere cross-examination of both contemporary America and himself....[His] refusal to settle for easy answers or fixed assumptions is exactly what makes Rodriguez so essential.”—Pico Iyer, New York Review of Books
“Richard Rodriguez may be the most empathic essayist in America….His sentences are reliable joys: liquid and casual, they slip in and out of philosophy and anecdote noiselessly, like people padding through an empty chapel, expecting to hear nothing more than the sound of their own passage.”—Sasha Frere-Jones, The New Yorker
“The phenomenal writing carries the day….A deeply humanistic voice.”—The Boston Globe
“Rodriguez continues to find meaning in both the desert and the idea of paradise, and while his wide-ranging, erudite, passionate, and thought-provoking essays range over a wealth of seemingly disparate topics, they all reflect his remarkable ability to penetrate the contradictions of our lives, reveling in them as much as understanding them.”—Booklist
“[Rodriguez] is, quite simply, one of the finest prose stylists now writing in English. These essays are discursive gems; there is a subtle musicality to each sentence that adds to his sophisticated and compassionate vision.”—Shelf Awareness
“[Rodriguez’s] charming, associative prose is reminiscent of James Baldwin…Darling is a revelation.”—Financial Times
“An eccentric mélange of a book….Under Rodriguez’ guidance…all the pieces are connected slowly until the project as a whole reveals itself. It’s as if you’ve been wandering for miles in a desert and, suddenly, your salvation appears.”—NPR.org
“The ten essays of this ‘spiritual autobiography’ are beautiful examples of thinking something through with not just intelligence and verve but wholeheartedness and compassion....[Rodriguez] is among the very best essayists of his generation....These magnificent ‘personal-classical’ essays will be read and enjoyed for many decades to come, darling.”—The Washington Post
“[Richard Rodriguez’s] doubt-season Catholic belief reveals the time he inhabits as out of joint, freeing him from what Chesterton called ‘the degrading slavery of being a child of his age.’ He’s as free as suicide bomber, this master of the literary essay.”—Commonweal
“It would not be a stretch to call Rodriguez our greatest living essayist….He is an inward writer who is always looking out toward issues of race, spirituality, sexuality, and heritage.”—David Gessner, Ecotone
“With compassion and profundity of vision, Rodriguez offers a compelling view of modern spirituality that is as multifaceted as it is provocative.”—Kirkus (starred review)
“Engaging and readable, this highly personal and candid discovery…will delight Rodriguez’s fans.”—Library Journal (starred review)
“Darling is a remarkable collection, one that will no doubt strengthen Rodriguez’s reputation as being one of America’s finest essayists.”—The El Paso Times
“Darling links its illumination of the ‘desert God’ of Judaism, Christianity, and Islam…to a more personal history…but its inquiries range much further than personal experience.”—Leslie Jamison, The New York Times Book Review
“[Richard Rodriguez] is, as always, a biographer of ideas, of the conflicted histories carried in our flesh....What he does, patiently, artfully, is make an honest confession, describing the contours of his faith without apology.”—Image
“For some readers, ‘delighting with complexity’ may seem a conundrum. It can be a valid experience as anyone familiar with Rodriguez’s lucid writing will attest. Further, analyzing complexity—as a topic from a literary perspective—does not mean writing to confuse; it means opening up a complicated issue with clarity.”—The Buffalo News
Praise for Brown: The Last Discovery of America
“It may be a while yet before America is as comfortable with the ambiguities of its complexion as Rodriguez is. In the meantime, he injects some desperately needed complexity into America’s thorniest debate.”—Mother Jones
“The recurrent strands of [Rodriguez’s] though—family, religion, education, race, sex, California, America, Mexico—gain new resonance each time and stand, in the end, for the complexity of a whole greater than the sum of its parts.”—The New York Times Book Review
Praise for Days of Obligation: An Argument with My Mexican Father
“Days of Obligation looks into America—north and south of the Rio Grande—as penetratingly and eloquently as Camus did when he compared the mental landscapes of France and Algiers.”—David Lohrey, The Los Angeles Times Book Review
“It is like nothing I have ever read before, and the sheer dazzle of its suggestions says more about America than anything I have read since Lawrence.”—Pico Iyer, author of Falling Off the Map
About the Author
Richard Rodriguez is the author of Hunger of Memory, Brown, and Days of Obligation. He is a fellow of New America Media. He was a long-time contributor to PBS and continues to write for Harper's Magazine and the Los Angeles Times. He lives in San Francisco.
Most helpful customer reviews
34 of 34 people found the following review helpful.
An Ironic, Revolutionary Exercise in Autobiography
By Martin J. Plax
Anyone who has read Brown: The Last Discovery of America already knows that Richard Rodriguez is as iconoclastic a writer as exists today. In Darling, they will be treated to a Homeric and Joycean study of a sojourner trying to keep his faith in God in the face of the assault on the United States commonly designated as "9/11." Both in form and content, he exposes us to the disassembled and uncertain world that everyone faces now, and by revealing his own effort to find unity and certainty, he has written what might be the autobiography of everyone in the postmodern world.
At the same time that he has revealed to us his continued quest for certitude in the face of disappointment Rodriguez has written a quiet polemic that challenges those who, in the face of tragedy, and armed with modern science, has lost faith in the God who has revealed Himself in the three Abrahamic religions. In this sense, Darling is an affirmation of his faith as a believing and practicing Catholic as he has experienced his Church going through its sometimes public, sometimes private changes, such as a language of the Mass.
But perhaps the book's greatest brilliance lies in the fact that Rodriguez is a supreme ironist, starting with the title of the book. Sprinkled throughout the ten chapters are comments that expose his reader to the ironies of their own existence as physical beings and as spiritual beings.
Darling is a book that readers in search of wholeness in this fragmented world will want to read more than once. It is a daring book, one that expands the meaning of "autobiography" to something beyond a chronicle of things past. Rodriguez has written a book that is poetry, philosophy, and history all in one package. But even more daring, Rodriguez has written a book that is meant for everyone and no one - a powerful answer to Nietzsche's assertion that God is Dead.
33 of 35 people found the following review helpful.
Lapidary, Compassionate, Brilliant
By Bartolo
"Darling" was the first book I ever pre-ordered. When it finally arrived I devoured it immediately. I have an appetite these days particularly for non-fiction essays by what are sometimes called "public intellectuals," but of the kind who represent themselves whole in their writing as people of feeling, people interested in where they (and we) come from and where we may be going. In a fractionalized world I value integrated representations by integrated people. And I am drawn to those who are particularly good, incisive writers. Thus
Eduardo Galeano
Clive James
are on my list of favorites. But for particularly American perspectives, since I am American (North American, I should specify, nod to Mr. Galeano), some are even more valued:
Rebecca Solnit
William Irwin Thompson
Richard Rodriguez
It may be that Solnit's best work ever is the first thing I read of hers, "River of Shadows," an award-winning meditation on Edweard Muybridge, historical California, technological innovation in the 19th century and what, as a result, we have become. Moreover, it may be that Thompson's major writings are behind him, since I haven't read much of substance from him lately, even though I make periiodic pilgrimages to his shared website, Wild River Review.
But of Rodriguez, "Darling" is here, and may be his best collection ever. I've read his wonderfully crafted, often elegaic essays ever since "Hunger of Memory," and have waited for the next collection to appear, then the next. Human nature being what it is, my expectations have constantly risen, but so have his resources as an intellect and writer. This latest isn't primarily about being gay in America, in spite of the title essay: it is full of variety, though more about the author's visit to the source of the world's "desert religions," Judaism, Islam, and Christianity, and the researches they inspired, than anything else. As a topic they weren't high on my list for interest--nor the religions' recent abuses by terrorists or fundamentalists, never mind atheists--but Rodriguez more than held my attention throughout. This is essay writing carried to the highest level of art, but without the stuffy sound of that term, if that's what it has for you. He is never ponderous, always engaging. He collages more than he used to, bits and pieces of historical or topical writing, jumps back and forth from past to present, turns on a dime from universal to personal, and allows full range to his erudition, which is considerable. (Easily exceeding my own. Every essay contained words I had to look up, suggesting that he wasn't interested any longer in a common-denominator readership, if ever he had been.) He is also occasionally snarky and wry. Essays on Cesar Chavez, the lingering death of a friend in Las Vegas, and one of rhapsodic historical and cultural divagations on the color brown--maybe further ruminations after his book of that name--populate this slim but rich volume.
It has been 11 years since Rodriguez' last collection was published. Perhaps that is testament to the fact that, even from the highly gifted, writing that aspires to be both substantive and dazzlingly well-written is slow work. The quality shows, though, and it has been worth the wait.
Rodriguez is a national treasure. I am only sorry that this latest lies behind me, not before. But the living affirmation he represents for our culture--our truly international culture, as he reminds us--will be solace for months.
13 of 14 people found the following review helpful.
Richard Rodriguez has done it again
By joan m wilson
A master of language, reason, and faith, Richard Rodriguez again brings me to a place few writers can: sheer awe for his craft and his brilliant mind. As a Catholic myself who is not in spiritual crisis, but in religious foundation crisis, I take much from his teachings, expertise, and experience. A welcome read for anyone interested in being lifted by a fellow voyager.
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