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Shakespeare's Restless World: Portrait of an Era, by Neil MacGregor
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The New York Times bestselling author of A History of the World in 100 Objects brings the world of Shakespeare and the Tudor era of Elizabeth I into focus
We feel we know Shakespeare’s characters. Think of Hamlet, trapped in indecision, or Macbeth’s merciless and ultimately self-destructive ambition, or the Machiavellian rise and short reign of Richard III. They are so vital, so alive and real that we can see aspects of ourselves in them. But their world was at once familiar and nothing like our own.
In this brilliant work of historical reconstruction Neil MacGregor and his team at the British Museum, working together in a landmark collaboration with the Royal Shakespeare Company and the BBC, bring us twenty objects that capture the essence of Shakespeare’s universe. A perfect complement to A History of the World in 100 Objects, MacGregor’s landmark New York Times bestseller, Shakespeare’s Restless World highlights a turning point in human history.
This magnificent book, illustrated throughout with more than one hundred vibrant color photographs, invites you to travel back in history and to touch, smell, and feel what life was like at that pivotal moment, when humankind leaped into the modern age. This was an exhilarating time when discoveries in science and technology altered the parameters of the known world. Sir Francis Drake’s circumnavigation map allows us to imagine the age of exploration from the point of view of one of its most ambitious navigators. A bishop’s cup captures the most sacred and divisive act in Christendom.
With A History of the World in 100 Objects, MacGregor pioneered a new way of telling history through artifacts. Now he trains his eye closer to home, on a subject that has mesmerized him since childhood, and lets us see Shakespeare and his world in a whole new light.
- Sales Rank: #584971 in eBooks
- Published on: 2013-10-01
- Released on: 2013-10-01
- Format: Kindle eBook
From Booklist
*Starred Review* Shakespeare may never have owned a Cristallo-glass goblet made by the craftsmen of Venice. Yet by contemplating such a seventeenth-century object, MacGregor enters the world the Bard creates in Othello and The Merchant of Venice. Just as he did in A History of the World in 100 Objects (2010), MacGregor repeatedly converts fascinating objects into talismans transporting readers across time and geography. In this volume, 20 well-chosen artifacts open perspectives on both Shakespeare’s literary art and his historical circumstances. Readers examine, for instance, a seventeenth-century dagger and suddenly find themselves beside the doomed Mercutio in Romeo and Juliet—and among the reckless roughnecks roaming the streets of Elizabethan London. Readers likewise scrutinize a brass-handled iron fork recovered from the Rose theater, an implement amplifying Falstaff’s cry in The Merry Wives of Windsor for skies that rain potatoes and prompting reflections on the oysters that groundlings ate at Elizabethan plays. Readers even peer at a reliquary containing the eye of Catholic martyr Edward Oldcorne, a grim reminder of the cruel blinding Gloucester suffers in Lear and of the brutal real-world executions carried out scant yards from the Globe Theater. Visually splendid, intellectually stimulating, a must-buy for any library with patrons who still care about the Swan of Avon. --Bryce Christensen
Review
Praise for Shakespeare’s Restless World
“What did Elizabethan theatergoers eat while watching Hamlet? British Museum Director MacGregor answers that question and many others as he examines 20 objects, now in museums and libraries, that illuminate daily life in Shakespearean England. . . . Beautifully illustrated, MacGregor’s history offers a vibrant portrait of Shakespeare’s dramatic, perilous, and exhilarating world.”
—Kirkus Reviews (starred review)
“Visually splendid, intellectually stimulating . . . Just as he did in A History of the World in 100 Objects, MacGregor repeatedly converts fascinating objects into talismans transporting readers across time and geography.”
—Booklist (starred review)
“Neil MacGregor offers sparkling insights into Shakespeare’s times and how the Elizabethans really lived. . . . Filled with anecdotes and insights, eerie, funny, poignant and grotesque, Shakespeare’s Restless World is another brilliant vindication of MacGregor’s understanding of how physical objects enter deep into our fore-father’s mental and spiritual world.”
—Sunday Times (London)
“MacGregor wants us to see both how the past shapes and shades our present but—equally—how strange and alien it should feel. . . . He shows time and again how the epoch-making changes that the Stratford playwright both lived through and expressed still echo through our arguments and anxieties over community and identity.”
—The Independent
“A revelation . . . MacGregor’s choice of clocks, mirrors, and swords opens a door on to the lost world of London’s theatregoers in and around 1600. . . . The interrogation of these objects yields a sequence of fascinating footnotes to Shakespeare’s timeless poetry.”
—The Observer (London)
About the Author
Neil MacGregor has been the director of the British Museum since 2002; prior to that, he was the director of the National Gallery in London. He is the author of the New York Times bestseller A History of the World in 100 Objects.
Most helpful customer reviews
21 of 21 people found the following review helpful.
Splendidly illustrated read for both Shakespeare & general history enthusiasts.
By Montana Skyline
In the footsteps of MacGregor's highly-regarded "A History of the World in 100 Objects," this short volume (produced for the British Museum and BBC radio) illustrates the era as it appeared to Shakespeare's contemporaries --- and particularly those Londoners, of high and low state, who might have been in his Globe audience. Twenty objects --from cups and daggers to clocks and a martyr's eyeball-- are employed by MacGregor via short chapters to supply telling glimpses of Shakespeare's world. Each vignette is tied to Shakespeare's plays or poems, but also serves to illustrate a larger cultural incidence of the time. Lots of amusing incidental facts, as well.
The "Twenty Objects" device works very well in MacGregor's hands, and not only should entertain Shakespeare or Elizabethan enthusiasts, but also provides a fascinating glimpse for general readers of a world hinting at but not yet our own. The hard-cover version is nicely printed and splendidly illustrated, not only with the named twenty objects, but with accompanying reproductions of paintings and sundry related objects that tell the tale. The text itself is well written, scholarly but not at all pedantic, and with a good sprinkling of humor and general wit. You may be undecided as to whether to put it on the shelf with your Shakespeare or with your general history, but either way, it is an enjoyable read and will be a worthwhile addition.
8 of 8 people found the following review helpful.
Shakespeare's Restless World: A Portrait of an Era in Twenty Objects
By Stephanie Ward
4.5 Stars
As a graduate student in English, I've had a lot of exposure to Shakespeare throughout my college and graduate career. I have always been a huge fan of the Bard and his works and the time period when he lived always intrigued me as well. This book was a perfect blend of history and biography as the author takes us into the life and times of Shakespeare. The book tells of various objects that helped to define the period of time that Shakespeare and his contemporaries lived in. Although this is a nonfiction book, it's told in a very conversational tone which makes all the information accessible and fascinating - not bored and dry. Aiding the narrative and historical facts are fantastic illustrations, maps, and copies to show the views, beliefs, ideals, and general lifestyle of Shakespeare's time. The various media included in the book really added to the text and made it more exciting and easier to picture for the reader. The writing was well done - informative and full of great facts and history, but - like I mentioned above - it wasn't dry or boring to read. I enjoyed learning all about the different facets of life during that time period and this book does a wonderful job of explaining, highlighting, and illustrating some really fascinating aspects not everyone knows about. Highly recommended for fans of history nonfiction and Shakespeare buffs alike.
Disclosure: I received a copy of the book in exchange for an honest review.
6 of 6 people found the following review helpful.
a wonderfully evocative book
By Stephanie Cowell
I found myself looking at the Elizabethan world through a fork dug up beneath a theater, a broken pottery "box office," a rapier, a common wool cap. I could see as an audience member, as a Londoner of 1600 and feel everyone's unrest as the queen grew very old (for her time) and no one dared speak of what would happen when she died. A very original and real concept.
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