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"Richard Blanco, a Cuban raised in the United States, records his threefold burdens: learning and adapting to American culture, translating for family and friends, and maintaining his own roots. . . . Blanco is already a mature, seasoned writer, and his powers of description and determination to get every nuance correct are evident from the first poem. . . . Absolutely essential for all libraries." --Library Journal
"As one of the newer voices in Cuban-American poetry, Blanco write about the reality of an uprooted culture and how the poet binds the farthest regions of the world together through language. . . . This book describes the price of exile and extends beyond the shores of America and the imagined shores of home." --Bloomsbury Review
"Unlike most contemporary minority poetry, City of a Hundred Fires, introduces readers to the fullness and richness of ethnic life, and not only the frustration and isolation so often associated with it. Richard Blanco exquisitely portrays the triumphs and defeats of a land and a people that have just barely survived revolution and time, and, without sentiment or cliche, affirms the ability within us all to achieve wholeness." --Indiana Review
"Blanco is a fine young poet, and this poetry, the bread and wine of our language of exile, is pure delight. May he continue to produce such a heavenly mix of rhythm and image-these poems are more than gems, they are the truth not only about the Cuban-American experience, but of our collective experience in the United States, a beautiful land of gypsies." --Virgil Suarez
Richard Blanco was, as he says, "made in Cuba, asssembled in Madrid, and imported to the United States," meaning he was conceived in Cuba, born in Madrid, and arrived in the United States as an infant able to claim citizenship in three different countries. His work has appeared in many journals, magazines, and anthologies, including the Nation, Michigan Quarterly, TriQuarterly, and Indiana Review. Blanco is a graduate of the MFA program in creative writing at Florida International University and also works as a civil engineer.
- Sales Rank: #1039346 in eBooks
- Published on: 1998-10-15
- Released on: 1998-10-15
- Format: Kindle eBook
From Library Journal
It's easy to see why this debut won the Agnes Lynch Starrett Poetry Prize. Born in Madrid of Cuban parents and raised in the United States, Blanco captures the tensions of moving between cultures in rhythmic, evocative poems. Observed LJ's reviewer, "Blanco is already a mature, seasoned writer, and his powers of description and determination to get every nuance correct are evident from the first poem" (LJ 9/1/98).
Copyright 1999 Reed Business Information, Inc.
Review
“In a keenly impressive debut, Blanco, a Cuban raised in the United States, records his threefold burdens: learning and adapting to American culture, translating for family and friends, and maintaining his own roots. . . . Blanco is already a mature, seasoned writer, and his powers of description and determination to get every nuance correct are evident from the first poem. . . . Absolutely essential for all libraries.”
—Library Journal
“Blanco is a fine young poet, and this poetry, the bread and wine of our language of exile, is pure delight, written with Lorca’s El Duende’s eyes and heart. May he continue to produce such a heavenly mix of rhythm and image—these poems are more than gems, they are the truth not only about the Cuban-American experience, but of our collective experience in the United States, a beautiful land of gypsies.”
--Virgil Suarez
“Richard Blanco’s City of a Hundred Fires lights up the American literary scene with a fresh new vigor and voice that takes its place in the front rank of poetry. This wonderful book will also draw readers from beyond the world of poetry, entrancing a wide audience with the music of its language, its beautiful evocation of love and loss and hope.”
—Dan Wakefield
“City of a Hundred Fires is one of the most exciting first books of the decade—vibrant and diverse, infused with energy and formal dexterity, equally at ease in Spanish and English. As if that weren’t enough, it feels like an important cultural document as well—a bicultural document, testimony to the dualities of identity central not only to Cuban but to all “hyphenated Americans”—exile and citizen, emigrant and immigrant, elegist and celebrant. Richard Blanco is a poet of remarkable talents—in any language.”
—Campbell McGrath
“The poet’s nostalgia for Cuba, a life seen through the lens of his parents’ exile, here meets head on his own coming of age in a culturally and racially diverse Miami. Full of vivid and specific detail, dotted with Spanish phrases, these poems arrest the reader much as the Ancient Mariner did, transfixing the listener.”
—Maxine Kumin
“As one of the newer voices in Cuban-American poetry, Blanco writes about the reality of an uprooted culture and how the poet binds the farthest regions of the world together through language. This book describes the price of exile and extends beyond the shores of America and the imagined shores of home.”
—The Bloombury Review
Language Notes
Text: English, Spanish
Most helpful customer reviews
0 of 0 people found the following review helpful.
Blanco muses on home and belonging. Find recordings of ...
By C. Mitchum
Blanco muses on home and belonging. Find recordings of his live readings if you can. His smokey voice and impassioned delivery enhance the already mythical familiarity of his work.
8 of 9 people found the following review helpful.
One of my favorite books of poetry...
By K. Russell
I read one poem of Richard Blanco's on the Internet and was intrigued. I bought this book based on one poem and have never regretted it. This book is incredibly satisfying to me as reader and writer of poetry. I have read it more than once and continually return to it for its love of language, culture and detail. Each poem is beautifully written and together as a collection, it only gets better. Would highly recommend.
7 of 8 people found the following review helpful.
The Hyphen Between Two Nations
By A Customer
Blanco's recent book, City of a Hundred Fires, designs to map the heart caught in a watery span between two nations-- the conflict and nostalgia of a Cuban growing up in Miami, and what that means to him and the people that surround him. While the poems are focused on a hyphenated experience (Cuban-American), Blanco manages to transcend this focus with writing that is concise and imagistic, honest and intelligent-- a style that allows the reader entry into the the poems, into the two hearts that give this book its beat. These poems take the reader from the shore of 1950's Cuba to the poet's own shaving mirror, from the imagined genesis of Cuba to the poet's childhood memories and desires. These poems ring true as the space between his two countries, between what's in the heart and how to write it down. Blanco is going to be a poet to watch!
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